MOVIE NAME: HELLO PREMISTARA
CAST: Sairam Shankar, Sheila, Vijaya Chandar, Sunil, Chandra Mohan, Bhanu Chandar, MS Narayana, Ali, Dharmavarapu, Sudha, Bhuvaneswari & Sana
STORY - SCREENPLAY - DIRECTION: Raja KumarCREW:
DIALOGUES: Jaya Simha
MUSIC: Chakri
CINEMATOGRAPHY: Bharani
LYRICS: Kandikonda
EDITING: Marthand K Venkatesh
PRODUCER: Puri Jagan
RELEASE DATE: 14 September 2007
IDLE BRAIN:
ANALYSIS:
The screenplay in second half: The director could not do justice in the second half both in terms of direction and screenplay. With the single thread of both the guys fighting out to outwit each other, it is extremely important to narrate the second half in an interesting way. Read More...
CINEGOER:
ANALYSIS:
The movie certainly would have felt interesting in the scripting level. If the direction and main lead was better/with bigger names, then it would have been very appealing. But unfortunately, bigger names don't tackle subjects like this, which is a shame. They should. For now, this movie is watchable. A well-woven plot, average performances and middling music-nothing more or less. Read More...
TELUGU CINEMA:
ANALYSIS:
Two biggest producers and most successful filmmakers - Puri Jagannadh and Dil Raju have teamed up for Hello..Premistara. Unfortunately, their first joint production is far from riveting and entertaining. Indeed, the film has resemblance to Ajith starrer S J Surya's Vaali. We can excuse that part, but the screenplay is not that interesting to sustain the tempo. Lack of entertainment, uninteresting second half and unconvincing climax make the film look very ordinary. One gets boredom too in some occasions.
It has its own share of interesting moments, though. Biggest asset is Chakri's music and the picturisation of songs. Even the production values are good. Read More...
It has its own share of interesting moments, though. Biggest asset is Chakri's music and the picturisation of songs. Even the production values are good. Read More...
GREAT ANDHRA:
ANALYSIS:
The film starts with dull note but picks up after 15 minutes. The dual role by Sai Ram Shankar is impressive.
First half runs with good tempo while second half fills with more action. Some scenes sound predictable before climax. The songs ‘Ennadu Leni Viddooraalu’ and ‘Ninna Monna..’ are haunting.
The success of this film depends on the patronage of mass audiences. The openings are above average and that is due to the brand name Puri Jagannath.
Comedy also worked out in sufficient manner. The film would sustain as moderate player depending on the mouth publicity. Family audiences may not turn well for this film but the youth and masses will be right target. Read More...
First half runs with good tempo while second half fills with more action. Some scenes sound predictable before climax. The songs ‘Ennadu Leni Viddooraalu’ and ‘Ninna Monna..’ are haunting.
The success of this film depends on the patronage of mass audiences. The openings are above average and that is due to the brand name Puri Jagannath.
Comedy also worked out in sufficient manner. The film would sustain as moderate player depending on the mouth publicity. Family audiences may not turn well for this film but the youth and masses will be right target. Read More...
FILM CHAMBER:
ANALYSIS:
Story is a major minus point as it is out and out a copycat of the popular movie Vaali. Screenplay turns mediocre in the second half and runs through a drab climax.
The expectations, which rose high in the wake of join production by Dil Raju and Puri Jagannath for the latter's beloved brother Sairam Shankar, have touched the low levels. There is lot of prediction in the film and the same works a great deal in robbing of all the curiosity. Read More...
The expectations, which rose high in the wake of join production by Dil Raju and Puri Jagannath for the latter's beloved brother Sairam Shankar, have touched the low levels. There is lot of prediction in the film and the same works a great deal in robbing of all the curiosity. Read More...
CHITRAMALA:
ANALYSIS:
The story is a straight reprocessing of the Tamil film Vaali, which also sizzled the Telugu audience
thanks to its hysterical presentation. There is no justification when Rajkumar claims story, screenplay and direction to be his forte. The movie begins on a very dull note. By the time it reaches the middle, you have some romance which comes as a deliberate attempt to sustain the hero's footage. The second half utterly lacks interest and takes a nosedive into the echelons of boredom. Read More...
thanks to its hysterical presentation. There is no justification when Rajkumar claims story, screenplay and direction to be his forte. The movie begins on a very dull note. By the time it reaches the middle, you have some romance which comes as a deliberate attempt to sustain the hero's footage. The second half utterly lacks interest and takes a nosedive into the echelons of boredom. Read More...
BHARAT STUDENT:
ANALYSIS:
The film is targeted on youth audiences with enough of comedy. It has also some variety with dual role aspect that carved well interestingly. Although a few elements sound out dated and routine, the film on a whole promises some entertainment. The pulling back factor of this film is hero Sai Ram who has no attractive appeal on screen. Songs are good and Chakry did a considerably better job this time. Director Raj Kumar has shown his mettle and producer Puri Jagannath has conferred good production values. Read More...
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