TELUGU CINEMASS

May 22, 2008

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ANUSHKA,s New Film ARUNDHATI

May 21, 2008

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TANISHAA, Sister Of Actress KAJOL

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Telugu Actor KAMAL HAASAN'S Profile

KAMAL HASSAN's Biography

November 7, 1954 in Paramakudi, India) is an Indian film actor and director, considered among the leading method actors of Indian cinema. Hassan is known for winning several Indian film awards, including National Film Awards and Filmfare Awards, and has the distinction of being the actor with the most number of films submitted by India in contest for the Academy Award for Best Foreign Language Film. In addition to acting and directing, he is a screenwriter, lyricist, playback singer and choreographer. His film production company, Rajkamal International, has produced several of his films.

Kamal Haasan's breakthrough into lead acting came with his role in the 1975 drama, Apoorva Raagangal, in which he played a rebellious youth in love with an older woman. He secured his first Indian National Film Award for his portrayal of a guileless school teacher who tends a child-like amnesiac in 1982's Moondram Pirai. He was particularly noted for his performance in Mani Ratnam's Godfatheresque Nayagan (1987), which was ranked by Time magazine as one of the best films of all-time.

* 2 Awards
* 3 Notable filmography
* 4 External links
* 5 References

Biography

Early 1970s

Kamal Haasan's debut into films was as a 6-year-old child artiste. In his first film, Kalathur Kannamma (1960) (directed by A. Bhimsingh), he was cast along with the veteran Tamil actor Gemini Ganesan. He acted as a child actor in two other Tamil films in the subsequent few years.

1970s – 1980s

Kamal Haasan first received a regional Filmfare Award for acting for his role in the Malayalam film Kanyakumari (1974). In the next four years, he won six regional Best Actor Filmfare Awards, including four consecutive Best Tamil Actor Awards. After a series of less-successful films, his acted in director K. Balachander's Apoorva Raagangal, an exploration of age-gap relationships; the film is also known for introducing another prominent Tamil actor, Rajnikanth.The 1970s, especially between the mid- and late 1970s, was a period that saw Kamal Haasan's frequent collaboration with K. Balachander, who also cast him in many of his socially-themed films such as Avargal (1977). The film won Haasan his first Filmfare Best Tamil Actor Award. In 1976, Haasan appeared in the drama Moondru Mudichu with Rajnikanth and Sridevi, another K. Balachander film, Manmadha Leelai, and Oru Oodhappu Kan Simittugiradhu, which won him his second consecutive Best Actor Award. 16 Vayathinile won him his third consecutive award, where he appeared as an mentally ill villager, once again alongside Rajnikanth and Sridevi. The fourth consecutive award came with Sigappu Rojakal in which he appeared as an anti-hero who is a psychopathic sexual killer. Furthermore in the late seventies, Haasan appeared in successful films such as the comedy, Ninaithale Inikkum and the horror film, Neeya.

Following his increased prominence in the latter half of the 1970s, Haasan was considered a major Tamil film star at the turn of the decade. His popular pairing with the actress Sridevi continued with Guru and Varumayin Niram Sigappu in 1980. Both films were blockbuster successes for these actors. Kamal Haasan also made guest/cameo appearances, such as in the Rajnikanth film Thillu Mullu; Rajnikanth had previously appeared in some of Kamal Haasans previous films.
Kamal Haasan (left) as pictured in Saagara Sangamam

Haasan's 100th career film appearance was in 1981's Raja Paarvai, which also marked his debut in film production. Despite this film's relatively poor reception at the cinemas, his portrayal of a blind session violinist earned him a Filmfare Award. His next acting role, in Ek Duuje Ke Liye, became his first Hindi-language film. It was the remake of his previous Telugu-language film, Maro Charithra by K. Balachandar. Following a year of starring in commercially-oriented films, Haasan won his first of three National Awards for Best Actor with his portrayal of a school teacher who looks after a mentally retarded girl in Balu Mahendra's Moondram Pirai. Till 1985, Haasan began to appear in more Hindi language films, which went relatively unnoticed but his performance in Saagar, won him both the Filmfare Best Actor Award as well as the Best Supporting Actor Award, making him the first actor to win both awards for a single film in the award's history. Saagar portrayed him alongisde Rishi Kapoor both of whom were pinning for a woman, but Haasan ultimately loses out. Haasan also appeared in Geraftaar, a film which failed to make an impact upon release, but today is known for featuring three prominent actors in Indian cinema: Amitabh Bachchan, Rajnikanth and Haasan. He featured in Tamil cinema's first sequel Japanil Kalyanaraman, which followed up his previous, Kalyanaraman as well as acting in Uruvangal Maralam co-starring Sivaji Ganesan and Rajnikanth.

In the mid-1980's, Haasan appeared in two legendary Telugu language films, Sagara Sangamam and Swathi Muthyam with director, Kasinadhuni Viswanath. The latter film was India's representative for the Academy Award for the Best Foreign Language Film in 1986. Whilst, the former film portrayed Haasan as a drunkard classical dancer, Swathi Muthyam portrays him as an autistic person attempting to change society. Following more successful film such as Punnagai Mannan, in which he portrays dual roles including one that pays homage to Charlie Chaplin and Vetri Vizha as an amnesiac (inspired by Robert Ludlum's 'The Bourne Identity'), Haasan's most worldwide recognized role came in Mani Rathnam's 1987, trendsetter, Nayagan. Nayagan, commonly referred to "The Godfather" of Tamil cinema, portrays the life of an underworld don in Bombay. The story revolves around the life of a real-life underworld don called Varadarajan Mudaliar, whilst sympathetically depicting the struggle of South Indians living in Mumbai. The film helped Kamal Haasan secure a Indian National Award for his performance and Nayagan was nominated by India as its entry for the Best Foreign Language Film for the Academy Awards in 1987 as well as being included in the Time top 100 movies list. In 1988, Haasan appeared in his only silent film to date; appearing in the black comedy, Pushpak, which was dubbed as a "speechless classic" with reviewers stating that "Haasan surpasses himself", delivering an all time best performance. Apoorva Sagodharargal became Haasan's first attempt at playing a triple role. The commercial film portrayed him in a role as a dwarf, making it the first time that an actor had attempted to play such a role. He then attempted dual roles in Indrudu Chandrudu and its Tamil remake, winning the regional Best Actor Award for his performance.

The 1990s Kamal Haasan in his yet-to-be-completed Marudhanayagam

1991's Michael Madhana Kamarajan, saw Haasan go one step further, acting in four different roles as quadruplets, the film started an ongoing collabaration for comedy films between Haasan and Crazy Mohan, a dialogue writer. Haasan won successive best actor awards for his portrayal of the protagonist in Guna and in Thevar Magan, where he played the son of noted actor, Sivaji Ganesan. The 1990s saw Kamal breaking out of the romantic hero mould to explore some more gritty, unconventional roles. Following a series of unsuccessful projects in the mid-1990s, with experimentals such as Singaravelan, Maharasan and Kalaignan; Haasan began to appear in comedies such as Sathi Leelavathi, based on the English film, She-Devil as well as renewing his collobaration with Kasinadhuni Viswanath in his last Telugu language film till date, Subha Sankalpam. In 1996, Haasan starred in the police cop story, Kuruthipunal, which met with a strong critical reception is recognised by some to have set high benchmarks for other action films in that period. His success in Kuruthipunal, was followed by his third National Film Award for Best Actor in Indian. Playing dual roles of a freedom fighter and his untrustful son, the film also won Haasan regional awards and plaudits for his portrayal in the blockbuster. Haasan's performance was described as "superb" by critics, who also dubbed the "The biggest film ever made on the Indian Screen".

Haasan appeared as a woman in Avvai Shanmughi, which was inspired by the comedy flick, Mrs. Doubtfire, bringing him praise for his portrayal. In 1997, Haasan began his maiden directorial venture, the biopic of Mohammed Yusuf Khan, Marudhanayagam. However the film, which was started by Queen Elizabeth II, failed to complete its schedules with only half an hour and a trailer being recorded during its shoot. The film's ambitious budget forced Haasan to abandon the project at the time; if made, the film would have been been the costliest film ever made in Asia. Haasan soon made his debut as director with a remake of Avvai Shanmughi in Hindi titled Chachi 420, which became a success upon release. Kamal Haasan's direction was praised as "fantastic" and that he "handles every scene with precision" with "the fine tuning it takes to become a wonderful director", whilst his performance was applauded as "nothing less than brilliance".

2000s: Hey Ram and onwards

Kamal Haasan pictured with Manisha Koirala in Aalavandhan

Following a two year hiatus in Indian cinema, Haasan opted against reviving his magnum opus, Marudhanayagam and filmed his second directorial venture, Hey Ram, a period drama told in flashback with a semi-fictional plot centering around India's Partition and the assassination of Mahatma Gandhi. Haasan also donned technical roles as the writer, the lyricist and the choreogrpaher as well as producing the film under his home banner. The bilingual venture, starring himself in the lead role alongside Shahrukh Khan and Rani Mukerji failed to become successful commercially but became critically acclaimed. Haasan was praised for his "technical wizardry" and acting, but critics called the film "hard to categorize" and "too controversial". His following film, the much-hyped Aalavandhan, where he portrayed two distinct roles; of one, he had his head tonsured and gained ten kilograms for also failed to live up to expectations at the box-office.

Following a series of successful comedies in Thenali, Panchathantiram and Pammal K. Sambandam and a couple of guest appearances, Haasan directed his third feature film in Virumaandi. Virumandi, became the first Tamil film to feature different sides of the story, surrounding the controversy of the death penalty. Haasan's directorial work earned reviews that claimed it was "technical excellence in every sphere", however the film only broke even at the box-office, failing to capitalize on its publicity. Haasan also appeared in Anbe Sivam alongside close friend, Madhavan, in a film he was claimed to have ghost-directed. Priyadarshan, who started the film departed allowing commercial director Sundar C make a film unknown to his usual genre; furthermore the film also preached views of atheism, which Haasan is renowned for following. Anbe Sivam told the story of Nallasivam, enacted by Haasan as an idealist, social activist and communist, whose past is poignant and present moving. Kamal Haasan's performance was highly lauded by critics with The Hindu stating that Haasan "has once again done Tamil cinema proud", however in contrast, the film failed to become a success, with Haasan later lashing out at award judges, claiming he deserved credit for his script writing and acting.

Haasan appeared in the remake film, Vasool Raja alongside Sneha, which triumphed at the box-office, whilst his following film, Mumbai Express, which he had written for flopped at the box-office, as it opened with the record-breaking Rajnikanth starrer, Chandramukhi. In 2006, Haasan's long delayed project, Vettaiyaadu Vilaiyaadu became a blockbuster at the box office. Gautham Menon's Vettaiyaadu Vilaiyaadu was Haasan's first cop film in a decade since Kuruthipunal, earning his portrayal as the New York detective rave reviews. The forthcoming production, Dasavatharam is the longest film taken for Kamal Haasan to complete. Pairing opposite Asin Thottumkal, Haasan reprises ten roles in the film, a couple of which are claimed to have taken nearly four hours to apply the correct make-up on. The film, which Haasan had to go to court to sort out story legalities, is set for release in April 2008 and is set to become the most expensive Indian film to date, passing the mark of Sivaji: The Boss, which Dasavatharam was initially to release against simultaneously.

Dasavatharam In KAMAL HAASAN

Following the completion of Dasavatharam, Haasan is set to direct his fourth directorial venture under the production of Walt Disney Pictures, who by backing Haasan, make their debut in Indian cinema.The film tentiatively titled Marmayogi, is believed to be set in the 7th century and feature several leading stars in the lead roles alongside Haasan. The film was announced with a higher budget than Dasavatharam and the upcoming science-fiction Rajnikanth starrer, Robot, which Marmayogi has been dubbed to compete against. Haasan has still expressed desire in completing his magnum opus, Marudhanayagam if producers will to help him out, however the film if released will be spanned at a duration of over nearly fifteen years, failing to maintain consistency in technology.

Scriptwriting and production

Kamal Haasan's first screenplay was for the film Raja Paarvai (1981). This film was also the beginning of his foray into film production. The film however did not attain expected commercial success. A more recent production was the film Virumaandi (2004). His privately held production house, Rajkamal International, produced several classics like Apoorva Sagodharargal, Thevar Magan, Kuruthipunal etc. The film Vikram was this company's first production. His more recent production ventures include the films Virumaandi and Mumbai Xpress.

In 2005, he launched a new business unit called Raj Kamal Audio in a drive to corporatise all his film commitments. In 2006, he purchased prime real estate for a state-of-the-art multiplex cinema.

Awards

Kamal is the only actor to receive four National Film Awards in India. He won his National awards for the films Nayagan, Moondram Pirai and Indian. He also won the national award for Best Child Actor for his performance in Kalathur Kannamma. He has also received the best actor award at the Asian Film festivals held in 1983 and 1985 for Saagara Sangamam and Swathi Muthyam respectively. Seven of his movies have been sent as India's official entry to the Oscars. Kamal has won the Filmfare awards 18 times.

He was awarded the fourth highest recognition given to Indian civilians - the Padmashri in 1990. He was conferred an honorary doctorate by Sathyabama University, Chennai in 2005.

Kamal was also conferred with a unique honour this year(2007) as "Living Legend" in the film business by FICCI,India.

The all awards presented to him were for his artistic talent. He got the first Abraham Kovoor National Award for his Humanist Activities and Secular Life.

Kamal Hassan also was conferred the Nandi Award 20 times in his lifetime.

Haasan filmography

Year Title Role(s) Language Notes
1960 Kalathur Kannamma Tamil Winner: National Film Award for Best Child Artist
1975 Apoorva Raagangal Prasanna Tamil Winner: Filmfare Best Tamil Actor Award
1977 16 Vayathinile Chappani Tamil Winner: Filmfare Best Tamil Actor Award
1982 Moondram Pirai Srinivasan Tamil Winner: National Film Award for Best Actor
1983 Sagara Sangamam Balakrishna Telugu Winner: Filmfare Best Telugu Actor Award
1987 Nayagan Velu Nayakkar Tamil Winner: National Film Award for Best Actor
1988 Pushpak Pushpak Silent Winner: Filmfare Best Kannada Actor Award
1989 Apoorva Sagodharargal Sedhupathy/Raja/Appu Tamil Portrayed triple roles
1991 Michael Madhana Kamarajan Michael/Madhan/Kameshwaran/Rajan Tamil Portrayed four roles
Scripted by Kamal Haasan
Produced by Kamal Haasan
1992 Thevar Magan Shakthivelu Thevar Tamil Winner: Filmfare Best Tamil Actor Award
Produced by Kamal Haasan
Scripted by Kamal Haasan
1996 Indian Senapathy Bose/Chandra Bose Tamil Portrayed a dual role
Winner: National Film Award for Best Actor
Winner: Filmfare Best Tamil Actor Award
1998 Chachi 420 Jaiprakash Paswan/Lakshmi Godbhole Hindi Portrayed a dual role
Produced by Kamal Haasan
Scripted by Kamal Haasan
Directed by Kamal Haasan
2000 Hey Ram Saket Ram Tamil Winner: Filmfare Best Tamil Actor Award
Simultaneously made into Hindi as Hey Ram
Produced by Kamal Haasan
Scripted by Kamal Haasan
Directed by Kamal Haasan
2001 Aalavandhan Vijay Kumar/Nandhu Kumar Tamil Portrayed a dual role
2003 Anbe Sivam Nalla Sivam Tamil Scripted by Kamal Haasan
2004 Virumaandi Virumaandi Tamil Produced by Kamal Haasan
Scripted by Kamal Haasan
Directed by Kamal Haasan
2008 Dasavatharam Tamil Releasing on June 2, 2008
Portrays 10 different roles

Selvaraghavan's Film In Hyderabad

May 19, 2008

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ILEANA Interview

Ileana, without doubt, is numero uno star in Tollywood. And one of the highest paid actresses in South India. She commands huge following among the current generation actresses almost equal to a top hero! She was a part of the success of movies such as Pokiri, Devadas, Jalsa, Raakhi and Bhale Dongalu. She's rarely seen talking in public. Last year, she attended the TANA convention in the USA, and when the organizers booked a very big hall to meet the audience, the hall was jam-packed and people were standing outside too just to have a glimpse of her! She answered all the questions very patiently. Though we met there, the interview didn't happen then. When Jalsa and Bhale Dongalu released, I called her to have a brief chit-chat. Here are the excerpts from our conversation..

Sri: So, how are you enjoying the success of Jalsa and good response for your role in Bhale Dongalu?

It is a double bonanza for me. I am really happy about the success of the both the films!

Sri: Your film Pokiri was much bigger success than the debut film Devadas.. .

True, but Devadas is always close to my heart as it is my debut film and the character I did in Devadas is close to my original self. So I love Devadas a lot, not that I don't love Pokiri, but I surely like Devadas more!

Sri: You worked with best directors in Telugu within a short span!

Of course, I am very lucky to work with wonderful directors like YVS gaaru, Puri Jaganath, Krishnavamsi, V.N.Aditya, Trivikram gaaru, Vijayabhaskar gaaruetc. It is luck and my hard work which paid off to work with such a great directors.

Sri: How was your interaction with them?

I never had any problem with anyone. Working with them is like learing a new thing every day! But, above all, I definitely have gratitude towards YVS gaaru. I was totally a newcomer when I was doing Devadas and did not know anything about films. It is he who taught me patiently. So I am definitely more indebted to him than to others.

Sri: How do you rate yourself as an actress?

I am working hard and I am improving with every film, I could say, but I think others should tell that, and not myself (laughs)!

Sri: How was working with heroes Like Pawan Kalyan, Mahesh and NTR Jr.?

Pawan gaaru and Mahesh gaaru are both much reserved people. They never used to interfere with others' works - their policy was to keep to themselves, complete their work and go. Tarak (NTR Jr.) is fun to work with. He mingles with everyone easily. But everyone is a real professional in that they all work equally hard for scene betterment.

Sri: How was it working with Siddharth?

No comment, please!

Sri: Everyone knows that you are hot property in Telugu, but since you also worked in a Tamil film, I ask this: Any plans of continuing there also?

My film in Tamil didn't do well there, and I was not really happy working in Tamil either. I had a bad experience working in that film. So I am not really keen to work in Tamil films in future, unless a good opportunity comes in. Though I was offered the Tamil version of Pokiri, I was unable to work for it then due to clash of dates with the other Tamil film I was doing and I also met with an accident and was not able to work for sometime caused delays in completion of my other films too.

Sri: How do you feel being the highest paid actress in Telugu?

Who said that I am highest paid? All those are rumors, and I do not think I am at that level where people cannot reach me! I am reasonably paid ..not over-paid definitely.

Next..On Rumors..And Love.

source:telugucinema.com

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